“I think of the four of us as subject to the same flash flood, all senselessly bailing water into our own boats in hopes the others might end up on dry land.” (p. 122)“Our views of love — what we want from it, what we think it should feel like — are rooted in the context of our lives.” (p. 72)“But now I understand that there are always two breakups: the public one and the private one. Both are real, but one is sensible and the other is ugly. Too ugly to share in cafés. Too ugly, I sometimes think, to even write.” (p. 134)“I didn’t know what was real and what was scripted.” (p. 16)“Nothing was funny, really, but we couldn’t stop laughing the manic laughter of people who know it will be a while before they hear themselves laugh again.” (p. 40)
This was my first dive into the words of Simon Rich, despite consistently ranking the show he created (that is based on this collection), Man Seeking Woman, as one of my top five favorite TV shows. This is a collection of humorous, laugh-out-loud stories that largely revolve around heterosexual relationships from the perspective of a dorky man in his 20s/30s.
Because I knew I loved the tone of Man Seeking Woman, the absurdist comedy featured in this book was something I was familiar with and enjoyed. A lot of the storylines for the show were lifted from this collection, which makes some of the particularly absurd examples easier to visualize in my brain since I had already seen them depicted in the show.
Within the first 6 pages of the collection, I had already laughed out loud three times. The jokes I laughed the most at were New York situational humor though, so they may not be as funny to someone who hasn’t spent a lot of time in the city, but oof did I love them.
I love Tig Notaro, which might just be because her mom died and she talks about it all of the time. It greatly influenced who she is and I relate to that. I always wonder if my obsession with my own mother’s death is because I was so young when it happened, but I don’t think that’s the case after reading Notaro’s account of losing her mother during middle adulthood. Loss of loved ones will always profoundly affect me because I love so much and I am a culmination of those I love and who love me, something that Notaro shares in her memoir about her own life.
Notaro had a hell of a two years: she got diagnosed with a rare, potentially fatal infection, her mother died suddenly, she and her girlfriend broke up, she learned she had breast cancer, she experienced fertility issues, and so much more. This book details those experiences and expounds upon Tig’s wonderings about life, ties to family and friendship, and her place in the comedy and general world. It’s a pretty quick read, but I found myself pausing and ruminating frequently while reading. One memorable reflection was inspired by this quote,
“So my answer is no, I don’t have a need for my mother to ‘see me now.’ I just have the desire to see my mother again.”
If you’re already a Tig Notaro fan, you won’t find much new about the life stories detailed in her memoir. The memoir is essentially written accounts of what is detailed in her stand up specials and documentary. Some readers might find this annoying and repetitive, but I didn’t mind it at all since I read I’m Just a Person about a year after watching her documentary. However, if you’re jumping into a Tig binge, I advise you to space out your consumption since it is pretty much a regurgitation of the same story in different formats.
Before reading this book, I had never heard of Jen Kirkman, but that didn’t stop me from enjoying her memoir that largely details navigating a tricky break up (is there ever one that isn’t tricky?), the pressure to get married, the related pressure to stay married, the peer pressure to have certain feelings about divorce, and living life in your late 30s/early 40s as a single lady.
Kirkman is serious about her career and she doesn’t apologize for it, despite the many pleas that others have for her to focus more on being in a serious relationship regardless of her emotional state or physical state (as in is she in a single place long enough to see someone regularly?). Despite all of her experiences not overlapping with my current pursuits, I found her insights and stories comforting to read, highlighting a few lines here and there that resonate with an icky feeling I’ve previously experienced.
This is an easy, funny read that you’ll probably gobble up after two lounge sessions by a pool/body of water/large bath tub over the summer. I found myself laughing out loud a few times, which may be because all of Kirkman’s material was brand new to me. Another review stated that many of the jokes and stories were duplicates of her stand up jokes, but I wouldn’t have been able to notice that and I found them enjoyable.
I have to share my favorite piece of advice from Kirkman’s book that anyone dating someone seriously absolutely needs to know: if you question why you’re in a specific relationship multiple times or if you can’t actually see a future with someone, END THE RELATIONSHIP!! Now!! Do not keep coasting along until you continue your questioning as you make out with your partner in front of all of your loved ones on your wedding day! END THE RELATIONSHIP! Save yourself, your partner, and pretty much everyone who interacts with you the meaningless pain by getting out of that thing quickly and moving onto something that you’re sure about doing, whether that be another human, your career, or literally anything else that might excite you.
The only part that I really didn’t like about the book was the essay where Kirkman details when she believed that she may have contracted Hepatitis C (Chapter 14, “Doctors without Boundaries”). It felt shame-y toward people who actually have STIs and the whole chapter should’ve been edited out of the memoir.
Disclaimer: I was provided with a physical copy of this book for free from Simon & Schuster in advance of the paperback release. All opinions expressed in the review are my own and have not been influenced by Simon & Schuster.
This audiobook memoir narrated by actress/author Anna Kendrick was… fine? Maybe I would’ve found it more endearing if I had been a bigger fan of Anna Kendrick. As it stands, I tend to enjoy her in movies and find her Twitter feed humorous, but I’m less invested or interested in what makes her tick and what her experiences are outside of the roles she portrays. So why did I even listen to this audiobook you ask? I honestly thought I would’ve become more interested as I listened along, but it never happened. I frequently forgot I was even reading this book until I would sign onto GoodReads and see that it was still on my currently reading shelf while I was eating lunch before my weekly therapy appointment… and then I would listen for an hour while I ate lunch alone and forget about the audiobook until the next week. This is an audiobook best enjoyed by people who already adore the actress.
I began reading this book for fun and then found that it was relevant to some of the work I’m doing so yay — a very pleasant surprise! A lot of people have chosen to read this book to understand the “hidden right” post-election cycle. I chose to read it to see how the author’s experience lined up with my own background. Despite not growing up in Appalachia, many of the situations that the author described were extremely familiar to me. I grew up in a working-class family and spent 5 years of my childhood in a rural town, population: 800. While the author categorizes his experiences as being particular to Appalachia, I would say they also extend to rural southern living conditions, including my area of Northeast Texas.
I related a lot to Vance’s description of trying to learn how to portray himself as being of a different social class than the one he was born into — like Vance, I was the first in my immediate family to go to college, becoming upwardly mobile, and I found myself struggling to fit in when ‘everything from your old life becomes unfashionable at best or unhealthy at worst.’ (p. 207)
He also spends time detailing Christianity in Appalachia and how he (at one point) and many of the churchgoing people have (either at one time or persistently) felt like persecuted minorities by ‘elite liberals’ who some believe are making the world a scary and foreign place. His commentary on Christianity and many of the contradictions present in Appalachia were revealing in that many of the residents don’t belong to a church, but vastly report high church attendance because of perceived social pressures. His own experience emphasized that the persecuted minority feelings are salient in the churches, but less so in how individuals believe and practice faith in their own homes.
Chapters 14 (particularly) and 15 were most relevant to the work that I do, but the links from the previous chapters are needed to feel the full heft of the messages in those later chapters. These chapters discuss the traumas that working-class children regularly experience because of a myriad of factors: unreliable income, inconsistent parental support, violence in the home, etc. and the massive effect they have on child outcomes and development of mental and physical health conditions later in life. I also found the writer’s description of his limited relationship with his parents for survival purposes particularly refreshing — it’s something I have also adopted for my own self-preservation purposes, but haven’t read detailed in another work so precisely.
I’ve read many similar books that attempt to describe the plight and lives of America’s working-class through studies and home observation vignettes, but I found this memoir to be the most revealing and authentic… perhaps because it was written by someone who experienced this lifestyle rather than being written by a researcher looking in and trying to understand class and lifestyle differences. While the author doesn’t push for specific policy changes, he does admit that we collectively need to strive to make things better, particularly for working-class youth while their worlds and expectations for themselves are still malleable.
I acquired Sick in the Head by Judd Apatow in an incredible deal from Greenlight Bookstore where I was allowed to buy slightly damaged hardcover books for $5 each! This unprecedented deal caused me to overzealously purchase many books that I normally wouldn’t have and subsequently allowed me to spend some time getting to know comedy extraordinaire Judd Apatow.
This book isn’t a memoir — I had mistakenly assumed the book would be to match the style of the slew of comedy books that have been published in the past few years. The full title of the book, which, again, I picked up on a whim, reinforced my mistake: Sick in the Head: Conversations About Life and Comedy. Instead of being internal conversations between Judd and himself, this book consists of many interviews with people who dabble or fully embrace comedy. Each chapter consists of a transcript of Apatow interviewing a famous person — the topics vary dramatically from person to person as do the circumstances surrounding the conversations. Apatow first began interviewing comedians for his high school radio show in the 1980s and some of those original transcripts appear within the book, as do more recent interviews Apatow conducted specifically for the book and interviews Apatow either conducted or was the subject of for other publications or projects.
If you’re looking to read a history of stand up comedy, you’ll find that in Sick in the Head. If you enjoy comedians, but are less interested in their actual craft, you can also find that in the book by picking and choosing what interviews to read, as I did. Apatow briefly introduces each of his subjects to the reader to provide context for who they are within the comedy world and his own life which would help me to determine which interviews I should actually digest. That said, I probably only skipped 5 of 30+ interviews.
As with most deep conversations with comedians, interviewees often delved into discussions about their upbringings and childhoods which led me to also be reflective on my own circumstances. At times, the interviews almost felt like a print version of the WTF with Marc Maron podcast (the book has a transcript of Apatow’s appearance on that podcast too!). After the first interview, the subsequent interviews are sorted into alphabetical order by first name. My handpicked favorite interviews featured Amy Schumer, Chris Rock, a Freaks and Geeks Oral History, Jeff Garlin, Louis C. K., Marc Maron, Michal Che, Roseanne Barr, and Steve Martin. I enjoyed the Steve Matin interview which closes out the book so much that I scooped up and quickly devoured his novella Shopgirl, which I’ll be reviewing on the blog soon.
I recommend this book to anyone vaguely interested in comedy + entertainment and especially to those who want to dive into comedy, but don’t have access to the comedy sphere because of their geographic location or available resources.